Seungyeon | Solo Music & Acting | KARA

The limited A edition included its music video, making-of footage, and a photo book. Korean streaming metadata also credits the song to Seungyeon individually. The official report from KARA's 2024 Japan tour records it again as the selection for her solo stage.

At the pre-broadcast press meeting she described the pressure of playing an antagonist in a historical drama with senior actors and the need to prepare movement as well as lines. While watching Dong Yi, she distinguished this version as calm, controlled and sometimes unsettling rather than a bright heroine.

Photos and a concert report by attendee Em2T.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

At the 14 February 2014 presentation she acknowledged concern about her acting and said she had prepared humbly. Director Ahn Gil-ho explained that fresh casting would convey the original’s youthful feeling and praised her sensitivity and expression. Her 17 March OST release also gave voice to Ji-hoo’s feelings.

The next-day OSEN review discussed her range of sadness, excitement, playfulness and sobbing, together with her chemistry with Yeon Woo-jin. It also questioned the compressed explanation of the time-travel plot in roughly an hour and highlighted director Kim Kyu-tae’s warm, poignant imagery.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

In her pre-release interview she described a natural, minimally embellished approach. About 80% was photographed in Japan and 20% in Korea; the Japanese shoot lasted three nights and four days. The title combines her birthday with the idea of beginning an individual chapter.

The organizer advertised songs, games, talk and a hi-touch for everyone; an agency report also described her brewing coffee for KAMILIA.

In the official Q&A she described five women living together as familiar and welcomed a realistic script without grand birth secrets or a perfect male lead. Although different from Ye-eun personally, she used the idol experience of shaping expressions, speech and movement to be loved as a way into the character.

Contemporary announcements or post-event articles are listed alongside participant Em2T’s record. For video posts, the written caption was consulted; this is not a record of watching the full video.

Photos and a concert report by attendee Em2T.

The announcement offered group photos, voice Christmas cards and handmade-doll draws, plus tea time for four-show attendees; each show had a different card and voice message.

WIDMAY issued the album, with Tower Records Shibuya handling sales. Edition A included the title song's video and making-of DVD; edition B added the Korean version of “Kare to Watashi.” Release events were scheduled in Kawasaki, Tokyo, Aichi, and Osaka from January 12 to 21.

The event report recorded Haruiro and Uchuu-kun, quizzes and karaoke, her hand-brewed coffee giveaway and a special-card handover.

She said Ye-eun’s first-season ending left unfinished feelings and that she agreed to return before reading the sequel script. She singled out the night walk in an orchard with Ho-chang as a path back toward Ye-eun’s original self, understanding recovery as part of the character’s development.

At the 18 October press conference she explained that she had long wanted to try underwater imagery and aimed for photographs with an artistic character. Beige and ivory styling supported a natural palette, and much of the making-of footage was filmed by her.

At the 23 October press conference she said Baek-se felt closer to herself than the stylish Jung Ye-eun. Imagining someone too busy to care about fashion, she reasoned that Baek-se might simply keep an old perm and chose easy everyday clothes. She aimed for the naturalness and cheerfulness of a familiar girl rather than emphasising only the tragic premise.

Osaka offered a hi-touch for all; Tokyo offered a two-shot Polaroid and gift handover. An agency-supplied report confirms both December dates.

A report after the premiere singled out her consoling Mika after a failed audition and lively singing and dancing scenes, noting shifts between tears and humour. The Japanese DVD campaign later released official making-of footage of a scene in which Wi-jin teases Seong-hee, offering a glimpse of on-set discussion about its staging.

Contemporary reporting recorded four original songs, questions, a gesture game, cotton candy, the previous year’s time capsule and a birthday-cake surprise. Tomoki Fujiwara served as MC.

In her Q&A she described learning film photography from scratch, with books and developing equipment supplied by her agency head, also a photographer. She rehearsed English dialogue with recordings made by a fluent friend. As time advances every four episodes, she prepared the transition from student to adult; another interview discussed differentiating ages through hair, clothing and attitude to work.

In her interview she described discussing KAMILIA activities with staff between drama shoots and preparing new-song premieres. The production company also lists the Send to GIFT event.

In a first-hand interview, she explained that rewatching the film Love Letter inspired the title song's lyrics. She also described revising the vocals and production of “다르게 흐른 시간” for the album after presenting an unfinished version at a fan meeting the previous year.

Her video message accompanied the announcement, which framed the Kanagawa and Osaka daytime/evening shows as a summer vacation celebrating her July birthday.

The July 13 post-event article includes photographs and comments supplied by distributor Indiestory. This festival encounter is recorded separately from the September 9 Korean theatrical release.

In her Yonhap interview before release, she said Ye-ji was the first role she prepared independently rather than scene by scene with an acting coach. She played a level-headed partner to Ho-du’s colourful comedy and grounded the film’s serious later message. BIFAN recognised her with an acting jury special mention.

The film had its world premiere in Korean Fantastic: Competition at the 25th BIFAN in 2021, before Korean theatrical release. The festival lists 83 minutes. Seungyeon’s acting special mention, Kim Hyun-mok’s acting award and the film’s Nonghyup distribution award have different recipients.

The July 10, 2021 entry separately documents her post-premiere Q&A. Read the screening and appearance record /

A supporting company’s report documented flowers and balloons, a two-choice quiz and photographs of the stage and audience.

The Tokyo–Osaka tour led into the following year’s WE ME WE Chapter II. The organizer preserves both venues, partners and the ¥11,000 price.

Screenings at Cinemart Shinjuku, Cinemart Shinsaibashi and online, following the 2021 Bucheon world premiere and Korean release.

At the 31 May 2023 presentation she said she visited a figure-making workshop and studied videos to make her hand movements natural. Supported by the art team, she translated La-ni’s home-based occupation into physical detail and discussed romantic scenes with same-age co-star Lee Ji-hoon. Japan released the film on 23 August 2024.

The announcement offered a send-off and photo time for all, two-shot and signed-poster draws, plus VIP slogans and passes.

The announcement offered photo time, group photos by table and a signed-poster draw, plus a two-shot and Halloween gift for attendees of both sessions.

The release was offered in three editions: a standard CD, edition A with a DVD, and edition B with a 40-page photo book. A two-session showcase was announced for September 13 at Muromachi Mitsui Hall. It follows her Japanese mini-albums released in 2017 and 2019.

fanSY with Love was announced for February 14–15 at Tokyo TFT Hall 1000, with shows at 14:00 and 18:00 on both days.

Benefits included Valentine-card handovers, gift and signed-poster draws, and a special photocard for four-show attendees; upgrades included a two-shot draw for 30 per session.

Her statement explains that the book brings together the person KAMILIA imagine and the inner self that has changed over the decade, sharing multiple aspects rather than one fixed image. Publication and the Osaka and Tokyo handover events remained forthcoming at the review date.

The previous day’s announcement was checked against release-day coverage; the entry does not imply that all five characters launched together. This documents a game collaboration and modelling campaign, not a TV-airing history.

November 26 was the announcement; November 27 released the first three characters. The image is Hara’s KARA CAT promotional portrait.

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The brand’s hunger theme was presented through screen-breaking effects and performance. This was a two-member campaign; “24” refers to the online shorts, not twenty-four TV airings or separate endorsement deals.

Contemporary December 17 coverage specifies the December 15 online release. No first-TV-airing claim is made.

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The Seungyeon photograph with purple clothing and a red frame corresponds to that shoot coverage. A separate archive registers a 30-second cinema advertisement, “ALASKA DOWN,” featuring all three on October 26, distinguishing the print/shoot material from the film.

The shoot was introduced August 28. The cinema commercial ALASKA DOWN was archived October 26.

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The advertiser supplied an image from the shoot, with white clothing and the cream in hand. This records Seungyeon’s individual brand activity during the group’s hiatus rather than a full-group endorsement.

The date is the brand’s film-release and airing announcement, not a log of every broadcast slot or first observed transmission.

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